Samurai parfums alain delon biography

1967 neo-noir crime film

Le Samouraï (French pronunciation:[ləsa.mu.ʁa.i]; lit. 'The Samurai') equitable a 1967 neo-noircrime thriller film^[7] written and directed by Jean-Pierre Melville and starring Alain Delon, François Périer, Nathalie Delon, courier Cathy Rosier.

A Franco-Italian selling, it depicts the intersecting paths of a professional hitman (Delon) trying to find out who hired him for a work and then tried to maintain him killed, and the Frenchwoman commissaire (Périer) trying to select him.

The film was on the rampage on 25 October 1967, present-day it sold over 1.9 jillion tickets in France.^[8] It orthodox positive reviews, with particular bless given to Melville's screenwriting mount atmospheric direction, and Delon's execution.

An English-dubbed version of high-mindedness film was released in decency U.S. in 1972 as The Godson.

Plot

Impassive hitman Jef Costello lives in a spartan single-room Paris apartment and keeps natty small bird in a pound as a pet. His clean modus operandi involves creating gastight alibis, including ones provided alongside his lover, Jane.

After penetrating out a contract killing cosmos Martey, a nightclub owner, Jef is very clearly seen exit the scene by the club's piano player, Valérie, and glimpsed by several other witnesses. Decency police bring Jef and all over the place suspects in for a roll, but the witnesses, including Valerie, fail to positively identify him.

Jef is released, but rank commissaire suspects him and has him followed.

Jef loses grandeur tail and goes to go-ahead his fee for the cuff. Instead of paying him, greatness man he meets tries decide kill him, shooting him burst the arm. Jef realizes jurisdiction unknown employers now view him as a liability because grace is suspected in Martey's massacre. After treating his wound, Jef returns to the nightclub.

One-time he is out, two fuzz officers bug his room, provocative the bird in its incarcerate.

After the nightclub closes, Jef has Valérie take him playact her home, reasoning that she did not identify him by reason of the killer because his commander had told her not connected with. He asks her who chartered him, and she tells him to call her in three hours.

Meanwhile, the police explore Jane's apartment and offer add up leave her alone if she recants her alibi for Jef. She flatly rejects the tender.

Back at his apartment, Jef notices some loose feathers dispense around his bird's cage advocate suspects it was agitated overtake an intrusion. He finds say publicly police bug and deactivates shelter, and then goes to fastidious public phone to call Valérie, but she does not elucidate.

When he returns home, fiasco is ambushed by the adult who shot him. Holding Jef at gunpoint, the man offers a fresh start. He pays Jef for the hit steadfastness Martey, as well as stand for an upcoming one. Jef overpowers the man and forces him to disclose the identity model his boss: Olivier Rey.

Dozens of undercover police attempt keep tail Jef in the Town Métro, but he evades them.

He visits Jane and assures her everything will work crush, then drives to Rey's territory, which is the same house Valérie took him to previously in the film, though she is not there. Jef kills Rey and returns to depiction nightclub, this time making thumb attempt to avoid being characterized by. He checks his hat, however leaves his hat-check ticket provisional the counter, and puts paying attention white gloves, which he wears when carrying out his hits, in full view of world.

He approaches the stage wheel Valérie is performing. She silently advises him to leave, on the contrary he points his gun go in for her. Strangely unafraid, she asks him why he is knowledge this, and he responds put your feet up was paid to do as follows. Suddenly, Jef is shot combine times by policemen who locked away been waiting for him.

In the way that the Commissaire inspects Jef's shooter, however, he discovers it was not loaded.

Cast

Production

Melville wrote the film commandeer Delon.^[9] It was the control film for Delon's wife, Nathalie.

He filed for divorce aft the film wrapped, but they terminated the divorce proceedings orderly few days later, though they separated in June 1968 arm their divorce became official prank February 1969, with Nathalie sheet granted custody of their collectively, Anthony.^[10]François Périer, who played blue blood the gentry Commissaire, was a comedian discover against type.

Studios Jenner, Melville's private film studio, was debauched by a fire on June 29, 1967, while Le Samouraï was in production. Melville, who termed the blaze "suspicious", mellow the shoot at another studio.^[11]

Alternative ending

In an interview with Rui Nogueira, Melville said he pioneer filmed Jef Costello meeting rulership death with a picture-perfect sneer, but he modified the landscape after discovering Delon had trim smiling death scene in alternative of his films.

Production stills of the smiling death moulder.

Release and reception

Box office

Le Samouraï was released in France supervisor 25 October 1967. It put on the market over 1.9 million tickets behave France, and over 797,011 tickets in Spain.^[8] First released burst theaters in the United States in 1972, it grossed $39,481 from a 1997 re-release.^[5]

Critical response

On Rotten Tomatoes, the film has a 100% approval rating home-made on 38 reviews, and air average score of 8.6/10; authority site's "critics consensus" reads: "Le Samouraï makes the most look after its spare aesthetic, using fashionable – and influential – plan, solid performances, and thick sky to weave an absorbing story."^[12]

A 1967 review in Variety callinged the film "a curious hybrid" that "appears a bit very solemn to inject all depiction suspense, action and characterization [Melville] seeks", and said it "almost seems to be an Earth film dubbed into French" captivated "could be cut a bit".^[13]

Vincent Canby of The New Royalty Times called the original coating "immaculate", but criticized the dubbing of the 1972 version floating in the U.S.

as The Godson as "disorienting" and "dreadful".^[14]

In a 1997 review of integrity film that later appeared whitehead his first The Great Movies collection of essays, Roger Ebert gave the film four brainless of four stars, writing: "Like a painter or a singer, a filmmaker can suggest fold up mastery with just a bloody strokes.

Jean-Pierre Melville involves renowned in the spell of Le Samourai (1967) before a dialogue is spoken. He does undertaking with light: a cold transpire, like dawn on an hard-featured day. And color: grays take blues. And actions that affirm in place of words."^[15]

In 2010, the film was ranked Maladroit thumbs down d.

39 on Empire's list acquire "The 100 Best Films call upon World Cinema".^[16]

Writing in Le Figaro of the Delons' performances pinpoint Nathalie's death in 2021, Bertrand Guyard noted that the spouse and wife are both just about silent in the film, nevertheless "their gazes, fraught with job, are enough to make dignity camera quiver", and the administrator was able to create overexert their portrayals "a mythical unite of the seventh art."^[17]

Influence increase in intensity legacy

The film has influenced copious other works and directors:

• Walter Hill's 1978 film The Driver features a similar dynamic betwixt a reluctant female witness boss a getaway driver.
• John Woo's 1989 film The Killer was publicity influenced by the plot run through Le Samouraï, with the composer replaced by a singer.

  Eats Yun-fat's character Jeffrey Chow (the international character name for Ah Jong) was inspired by Alain Delon's similarly named character Jef Costello. Woo acknowledged the authority by writing a short style on Le Samouraï and Melville's techniques for the film's Paradigm Collection DVD release.^[18]

• Jim Jarmusch compensable homage to Le Samouraï meet the 1999 crime-drama Ghost Dog: The Way of the Samurai, starring Forest Whitaker as neat as a pin meditative, loner assassin who lives by the bushido code.

  Efficient as Costello has a colossal ring of keys that enables him to steal any Citroën DS, the hitman Ghost Harass has an electronic "key" relate to break into luxury cars.^[19][20]

• Pang Ho-Cheung's 2001 crime-and-filmmaking comedy You Downgrade, I Shoot features Eric Kot as a hitman who idolizes Alain Delon's Jef Costello, binding like the character and muttering to Costello via a Le Samouraï poster in his apartment.^[21]
• Johnnie To's 2009 film Vengeance denunciation an homage to Melville's heavy films, and the main dark is a retired assassin whose last name is Costello.

  Tell the difference offered the role to Alain Delon, who turned it down.^[22]

• Anton Corbijn's 2010 film The American stars George Clooney as upshot assassin, who bears a closeness to Costello, hiding in unembellished small Italian village.^[23]
• Nicolas Winding Refn's 2011 film Drive stars Ryan Gosling as a nameless partisan who shares key characteristics lay into Costello.^[24]
• Madonna's 2012 song "Beautiful Killer" is an homage to Alain Delon and alludes to emperor role in Le Samouraï sure of yourself the lines: "You are smashing beautiful killer / I adoration your silhouette when you murky on the streets / Love a samurai you can manipulate the heat / Makes look forward to wanna pray for a eldritch man."^[25]
• Adilkhan Yerzhanov's 2020 film Yellow Cat features a protagonist who quotes and performs scenes breakout Le Samouraï throughout the integument as a major character trait.
• David Fincher's 2023 filmThe Killer was compared to Le Samouraï delete contemporaneous reviews.^[26][27][28]

See also

References

Further reading

External links