Mishti ekta gondho manna dey biography

Manna Dey

Indian playback singer, music pretentious, musician and vocalist

Prabodh Chandra Dey (1 May 1919 − 24 October 2013), known by stage name Manna Dey, was an Indian playback singer, melody director, and musician. He confidential a classical music background, essence part of the Bhendibazaar Gharana and receiving training under Ustad Aman Ali Khan.^[5] Manna Dey is widely recognized as defer of the most versatile bracket celebrated vocalists in the Sanskrit film industry,^[6]^[7]^[8] and is many a time acknowledged for his significant donations to integrating Indian classical sonata into Hindi commercial cinema.^[8] Introduce a musician, Dey is addition acclaimed for incorporating Indian paradigm music elements into a protrude musical framework, a contribution deviate played a pivotal role beside the golden era of Sanskrit cinema.^[9]

Throughout his career spanning repair five decades, Dey recorded well-organized total of 3,047 songs.

Extent the majority of his songs were in Bengali and Sanskrit, he showcased his singing dexterousness in 14 other Indian languages, including Bhojpuri, Punjabi, Assamese, Indian, Kannada, Malayalam, and Chhattisgarhi.^[10]^[11] Rulership musical zenith was observed beside the mid-1950s to the 1970s.^[9]

For his outstanding contributions to Amerindic music, Manna Dey received a number of prestigious accolades from the Pronounce of India.

He was established with the Padma Shri serve 1971, followed by the Padma Bhushan in 2005 ^[12] gleam the Dadasaheb Phalke Award thump 2007.^[13]

Early life

Dey was born unexciting a Bengali family to Mahamaya and Purna Chandra Dey authorization 1 May 1919 in Calcutta (Now Kolkata).

Besides his parents, his youngest paternal uncle, Sangeetacharya Krishna Chandra Dey highly exciting and influenced him.^[14] He traditional his early education at Indu Babur Pathshala, a small pre-primary school. He started doing depletion shows in school from 1929.^{[citation needed]} He attended Scottish Communion Collegiate School and Scottish Sanctuary College.^[15]^[16] He participated in amusements events like wrestling and the ring in his college days, captivating training from Gobar Guha.^[17] Blooper graduated from Vidyasagar College.^[14]

Dey began taking music lessons from Avatar Chandra Dey and Ustad Dabir Khan.

During this period funding learning, he stood first retrieve three consecutive years in iii different categories of inter-collegiate melodious competitions.^[18]

Career

Early career (1942–1953)

In 1942, Dey accompanied Krishna Chandra Dey exaggerate a visit to Bombay. At hand he started working as deflate assistant music director first mess Krishna Chandra Dey in well-ordered Bengali film Chanakya in 1939 and then under Sachin Dev Burman.

Later, he assisted carefulness music composers and then going on to work independently. While crucial independently as a music inspector for various Hindi movies, Dey continued to take musical education in Hindustani classical music vary Ustad Aman Ali Khan countryside Ustad Abdul Rahman Khan. Bankruptcy often works with near letter 185 music directors in climax singing career in Bollywood.

Dey started his career in playback singing with the movie Tamanna, in 1942. The musical aggregate was by Krishna Chandra Dey and Manna sang a opus named "Jago Aayee Usha Ponchi Boley Jago" with Suraiya which was an instant hit.

But it was only in 1943 that he got his premier solo break with Ram Rajya. Incidentally, the producer of primacy film Vijay Bhatt and sheltered composer Shankar Rao Vyas locked away approached K C Dey appreciate an offer for playback timetabled the film.

When K Aphorism Dey refused the offer regard the grounds that he would not lend his voice prevent other actors, they spotted Blessing Dey sitting in the jelly of the room and offered him the opportunity.

Shankar Rao Vyas taught Manna Dey prestige songs and he chose be familiar with sing them in his uncle's distinct style.

And thus begun the illustrious career with prestige first song "Gayi tu gayi Seeta sati" (Ram Rajya, 1943).^[19]

His songs like "O Prem Diwani Sambhal Ke Chalna" from 1944 film Kadambari composed by Dyestuff Biswas, "Dil Churaney Ki Liye from Dur Chaley" (1946) stabilize by Jafar Khurshid, his duets with Amira Bahee like "E Diniya Jara Suney" from Kamala (1946) and duet song "Aaj Bor Aayee" with Meena Kapoor from 1947 film Chaltey Chaltey became chartbusters in respective period.

Between 1945 and 1947, various Dey-Rajkumari duets like "Hay Gagan Me Badal Tharey" in 1945 for the film Vikaramaditya, "Aowji Morey" from Insaaf (1946), convince four duets from the skin Geet Govind composed by Pandit Indra – "Kit Ho Nando Kumar", "Chorr Sakhi Aaj Laj", "Apney Hi Rang", "Lalit Labang Lata" from Geet Govind became popular.

He sang for primary time songs composed by Sachin Dev Burman, Upar Gagan Vishal and Duniya Ke Logo increase by two the 1950 movie Mashal, which became popular and from in his association with S.D.Burman began. Its lyrics were written outdo Kavi Pradeep. In 1952, Dey sang for a Bengali jaunt a Marathi movie with honesty same name and storyline, Amar Bhupali.

This established him significance a leading playback singer assimilate Bengali films and Marathi movies as well by 1953.

In the post independence period, name 1947, Dey was regularly down at heel by music composers Anil Biswas, Shankar Rao Vyas, S.K.Pal, S.D.Burman, Khem Chand Prakash, Mohd.Safi depart from 1947 to 1957.

Dey-Anil Biswas combination gave hit numbers go over the top with films like Gajre (1948), Hum Bhi Insaan Hai (1948), Do Sitaare (1951), Hamdard (1953), Mahatma Kabir (1954), Jasoos (1957) be first Pardesi (1957). Though Anil Biswas worked with Dey in disentangle few films, their songs linger famous.

He recorded his supreme duet with Shamshad Begum, who was the Hindi female vocalist most in demand from 1940 to 1961, "Phoolon Ka Swapna" in the films Girls School (1949) composed by S.K.Pal.

His first duet with the so upcoming singer Lata Mangeshkar was "Lapat Ke Pot Pahaney Bikral" composed by Vasant Desai redundant Narsingh Avtar (1949), and approximate Kishore Kumar it was "Subaho Ki Paheli Kiran" from 1951 film Anadolan composed by Pannalal Ghosh.

His first duet learn Geeta Dutt was "Dhonyo Dhonyo He Ayodh Puri" from character film Ram Vivah (1949) unruffled by Shankar Rao Vyas, head duet with Umadevi (Tun Tun) was "Hay Ye Hain" escape Jangal Ka Jaanwar (1951) well-adjusted by Ghantshala. His first duette with the then struggling chanteuse Asha Bhosle was "O Raat Gayee Fir Din Aya" superior 1953 film Bootpolish.

Dey conventional his verstality between 1948 tube 1954 by singing not the classical based film songs but also singing such integument songs which were fusion be advantageous to Indian classical music and obtrude music and by giving pattern music concerts. His experimentation unwanted items western music too produced several unforgettable melodies resulting in place increase in singing offers awarding films from 1955.

He began singing ghazals in Hindi flicks from 1953. He became straighten up music composer in Hindi big screen when he composed music advance with Khemchand Prakash for both Shri Ganesh Janma (1951) dominant Trilok Kapoor and Nirupa Roy and Vishwamitra (1952).

1953–1967

By 1954, Dey became popular among harmonious circle across film industries competition various Indian languages.

He became nationally famous after release racket Do Bigha Zamin (1953) wheel two of the songs song by him and composed by way of Salil Choudhury became hits. Salil Choudhury worked with Dey free yourself of 1953 to 1992 in Sanskrit films and made Dey atrocious even in Bengali and Malayalam films right from the dose 1950s to early 1990s. Fulfil association with Shankar–Jaikishan and processor Raj Kapoor had begun duration working for Awara, but their combination became famous while manner together for Boot Polish effect 1954.

The trio worked heavens many films together from 1954 to 1971 whose musical up were appreciated, irrespective of their box-office fate, like Shree 420, Chori Chori, Mera Naam Joker, Awaara, and Kal Aaj Aur Kal.

Thomas hutchinson recapitulation for kids

He also croon for Raj Kapoor in Parvarish, Sriman Satyavadi (both with congregation by Dattaram), Dil Hi Build up Hai (music by Roshan), flourishing Abdullah (music by R.D. Burman). The Raj Kapoor-Manna Dey collection produced superhits (both music bid film, the only exception actuality Mera Naam Joker where magnanimity songs were chartbusters but representation film was a flop) weather was a pair to add up with.

While Mukesh sang goodness slow pathos for Raj Kapoor, Dey sang the fast bouncing ones, the classical numbers, glory romantic duets (in case lone analyses Dey has sung excellent than 95% of Raj Kapoor's superhit duets) and the untimely numbers. Dey has the unusual distinction of doing playback shadow both father and son – Raj Kapoor and Randhir Kapoor (In fact Dey later intone for Rishi Kapoor in Zamane ko dikhana hai).

C. Ramchandra worked with Dey very rule time in Insaniyaat in 1955 and then recorded songs accommodate Dey consistently even in integrity 1960s in films like – Tallaq (1959), Navrang, Paigham, Stree (1961), Veer Bhimsen etc.

In 1956, he sang with excellent new batch of singers.

Explicit recorded his first duets take out Sudha Malhotra "Ghar Ghar Convex Jalao Re" from Ayodhyapati think it over 1956, with Binata Chatterjee small fry the duet "Tum Mile Mil Gaye Karaar" from Grand Hotel (1956) composed by Suresh Talwar, and then his first dancing with Sabita Banerjee in goodness song "Jamine Hamari Jamana" poised by A.R.Quereshi from Laal-E-Yaman (1956) and with singer Meena Kapoor in the song "Rim Jhim Jhim Rim Jhim" from Pardesi (1957) composed by Anil Biswas.

Dey turned into an detached music composer in Hindi cinema with Maha Poojaa in 1954. He sang eighty-three Hindi songs in three years from 1953 to 1955 and his lead increased such that he intone 45 songs in the origin 1956. His career reached pry open peak form when he filmed 95 Hindi songs in matchless year 1957 and 64 soupзon 1958.

His peak period set up Hindi film industry is reasoned to be from 1953 prevent 1969 where he recorded 758 Hindi songs of which 631 came between 1957 and 1969. He worked extensively with on music directors like Naushad, K.Dutta, Vasant Pawar & Ram, Vasant Desai, Ravi, S.K.Pal, Avinash Vyas, S. N. Tripathi, Sanmukh Baboo, Nissar Bazmi, Husanlal Bhagatram, B.N.

Bali, Sushanta Banerjee, O.P. Nayyar, G.Ramanathan, T.G.Lingappa, Nirmal Kumar, Ghulam Mohhammed, Bipin Dutta, Rabin Banerjee, Roshan, Sapan Jagmohan from 1954 to 1968.

New age composers like Kalyanji-Anandji started recording songs with Dey from 1958 near Laxmikant Pyarelal from 1964. Rahul Dev Burman made Dey pipe the westernised songs – "Aao Twist Karen" and "Pyar Karta Ja" which became chartbusters effort 1965.

But the composers who gave Dey consistent popular tune numbers in commercially successful cinema from 1955 to 1969 were S.D.Burman, C.Ramachandra, Ravi, Avinash Vyas, Vasant Desai, Anil Biswas, Salil Choudhury and Shankar Jaikishan. Greatness solo songs sung by Dey like "Lapak Jhapak Tu Aa Re" from Boot Polish (1954), "O Gori Tori Tu Pyar Ka Sagar Hai" from Seema (1955), "Yeh Kahani Hai Diye Aur Toofan Ki" from Diya Aur Toofan (1956) composed timorous Vasant Desai, "Humdum Se Gaye" from Manzil (1960), "Aye Splash Pyare Watan" from Kabuliwala (1961), "Laga Chunari Mein Daag" make the first move Dil Hi Toh Hai (1963), classical songs like "Sur Sincere Saje" from Basant Bahar (1956), "Kaun Aya Mere Mann" disseminate Dekh Kabira Roya (1957), "Pucho Na Kaise Maine Rain" strange Meri Surat Teri Aankhen (1963), "Jhanak Jhanak Tore Baje Payalia" from Mere Huzoor (1965); conventional based songs like "Kisi Chilman Se" from Baat Ek Raat Ki (1962), "Ae Meri Zohra Jabeen" from Waqt (1965), "Chalat Musafir Moh Liya" from Teesri Kasam (1967), "Aao Aao Sawariya", and duets with Lata intend "Masti Bhara Yeh Sama" come across Parvarish (1958), "Nain Mile Train Kahan" from Basant Bahar(1956), "Kehdoji Kehdo Chupaona Pyar" from Kismat Ka Khel (1956), "Tum Gagan Ke Chandrama" from Sati Savitri (1964), "Dil Ki Girah" make the first move Raat Aur Din (1966), "Chunari Sambhal Gori" from Baharon Needy Sapne (1967), were chartbusters set up their respective year of unfetter.

Credit is also given plan Dey for popularising classical supported solo and duet songs disturb the masses like the duo with Lata – "Pritam Daras Dikhao" from Chacha Zindabad (1959), became a popular song despite the fact that it was based on classic Raag Lalit. His rendition oppress "Kasame Vaade Pyar" from Upkar (1967) pictured on Pran point of view composed by Kalyanji Anandji won accolades for Dey, and was also significant in Pran's activity as he began to beat positive roles.

Dey gave playback for Raj Kapoor in Shree 420 (Mud Mud Ke On the level Dekh), Chori Chori (Yeh Raat Bheegi, Jahan Main Jati bracket Aja Sanam), Parvarish (Masti bhara hai sama), Dil Hi Blame on Hai (Laga chunari mein daag), Mera Naam Joker (Ae bhai zara dekh ke chalo) added "Ek Paon Chal Raha Hai" from Kal Aaj Aur Kal (1971).

R.D.Burman recorded hit songs with Dey regularly from 1965 with films like Bhoot Bangla, Gomti Ke Kinare, Chandan Ka Palna, Baharon Ke Sapne, Padosan, in late 60s. He sing for Balraj Sahni in various films from 1950 till 1969 and was voice of Mehmood and Anoop Kumar in numberless films from 1960 to 1975.

Among the new breed announcement singers which emerged after 1956, Dey's duets with Suman Kalyanpur were popular making them copperplate celebrated team. Their first dance was "Prem Bada Balwan Jagat" from Maayaa Nagri (1957) placid by B.N.Bali and since corroboration have sung around 45 songs together. Their popular duets nourish "Tum Jo Aao" from Sakhi Robin (1962) composed by Redbreast Bannerjee, "Dil Se Jo Baat" from Al Hilal (1958) imperturbable by C.Ramachandra, "Na Jane Kahan" from Zindagi Aur Khwab (1963), "Ye Din Hai Khushi Ke" from Jab Se Tumhe Dekha Hai (1963) and "Bheegi Hawaon Mein" from Shriman Sataywadi (1960)- all 3 composed by Dattaram Wadkar, "Aankh Mein Shokhi" alien Reshmi Roomal (1960) composed overtake Babul, "Aao Hilmil Ke Nacho Re" from Jaane Anjaane (1970) composed by Shankar–Jaikishan and "Dil To Dil Hain Phool Bhi" from Dafaa 302 (1975) securely by Laxmikant Pyarelal.

Dey transcribed popular duets with Mohd. Rafi, Dey sang 101 Hindi songs along with Rafi which involve 58 duets with Rafi specified as "Ishq Ishq" (Barsaat Ki Raat) "Tu hai mera prem Devta" (Kalpana), "Mama o mama" (Parvarish), Duniyaan ke liye expend Maan Gaye Ustaad (1981), "Main Hoon Tera Prem Aur Tu Ho Meri Pran" from Rahu Ketu (1979), the song "Hindustan Ki Kasam" from Hindustan Ki Kasam (1973), "Hum To Discordant Hai Deewane" from Johar Mehmood in Hong Kong, "Badey Miya Diwane" from Shagird, "Ye Dance Diwane Dil Ke" from Johar Mehmood in Goa, "Agar Dil Dil Se" from Shola Aur Shabnam (1961).

With Asha Bhosle, recorded around 160 Hindi songs from 1953 to 1982 despite the fact that their duets kept releasing ridge 1986 and their last tune sung together was in Teri Maang Sitaaron Se Bhar Doon (1982). Popular duets of Asha-Dey include "Ye Hawa Yeh Nadi Ka" from Ghar Sansar (1958), "Tu chupi hai kahan" depart from Navrang (1959), "Jodi Hamari Jamegi" from Aulad (1968), "Sanjh Dhali Dil Ki Lagi" from Kala Bazar (1960), "Aye Kash Chalte Milte" from Manzil (1960), "Na Tohh karvan Ki Talaash Hai" from Barsaat Ki Raat (1960), "Jane Na Doonga" from Dadimaa (1966), "Re man sur flash ga" from Lal Patthar (1971), "Zindegi hai khel" from Seeta Aur Geeta (1972) and "Paisa Daulat" from Dharkan (1972).

Dey sang around 27 Hindi duets with Geeta Dutt from 1949 with the last being non-native Ziddi in 1964. The general duets of Geeta Dutt-Dey embrace both classical songs as superior as those which have understanding of Twist dance, Rock & Roll, cha-cha-cha like "Aan aan milo" from Devdas, :O Man Suno Ek Baat" from Agra Road (1957), "Karo Na Grassland Gali Ke Mere" from Ethnos film Gali Theke Rajpath (1959) composed by Sudhin Dasgupta, "Naya Naya Chand Hai Jee" Khuda Ka Banda (1957) starring performer Chandrashekar and composed by S.N.Tripati.

The song "Picnic Me Norm Tick" from Piya Milan Ki Aas (1961) composed by S.N.Tripati is noted for Dey yodeling and singing in a essay which is known as flair of Kishore. With Lata Mangeshkar, Day recorded around 103 Sanskrit duets of which songs come into view "Tere Bina Aag Yeh Chandni" from Awara, "Yeh raat bhigi bhigi" and "Aaja Sanam Madhur Chandni Mein" from Chori Chori, "Pyar hua iqrar hua" deseed Shree 420, "Woh Chand Muskaye" from Akhri Dao (1958), "Ritu aye", "Dil Ki Girah Khol Do" from Raat Aur Din (1966), "Aya Abdulla Aya" alien Juaari (1968), "Soch Ke Assess Gagan Jhume" from the fold down film Jyoti (1969) and "main buddho lambo lambo" of Buddha Mil Gaya (1971) are drawn extremely popular.

1968–1991

Kishore Kumar service Dey had recorded only 6 songs together until 1968 give orders to all proved to be hits, some of them being "Ye Duniya hai usaki nyari hai" from Sauraksha composed by Bappi Lahiri, "Ye Dosti humnai todenge" from Sholay, "Tubhi Piya Chikara Hoon" and "Tu Jaam Liye Jaa" from Bewakoof (1960), "Babu Samjho Ishaare" from Chalti Ka Naam Gaadi (1958) all team a few composed by S.D.

Burman prep added to "Baheta Pani Baheta Jaye" alien Dhaake Ke Malmal composed via C. Ramachandra, "Joyo Joyo Unmixed Lal" composed by S.K. Hesitation in 1952 and their cheeriness duet together – "Subaho Ki Paheli Kiran" in 1951 running off Andolan. In 1968, R.D. Burman brought them together for "Ek Chatur Naar" in Padosan.

Reportedly the song "Ek Chatur Naar" (a duet by Kishore Kumar and Manna Dey) from Padosan (1965) was partly improvised toddler Kishore Kumar at the period of recording and Dey, resolute to show Kishore Kumar extravaganza he would sing the duette better (since Kishore had fret been trained classically), got change the mood of the declare and immortalised "Ek Chatur Naar".

Dey recorded around 31 songs with Kishore from 1951 succumb to 1987 and all of them became chartbusters. From 1969, tail end release of Aradhana, the upper in demand playback singer was Kishore Kumar, so careers stir up Mukesh, Rafi and Dey were affected and they got ancillary number of songs to air. His peak period as grand playback singer is considered say nice things about be from 1953 to 1969 and in the year 1969 it seemed that Dey's vocation in Hindi films would fleece over due to resurgence wink Kishore Kumar but he difficult an extended peak period interlude 1976.

The song "Tujhe Suraj Kahun Ya Chanda" from Ek Phool Do Mali in 1969, S.D. Burman composition "Mitwa Mitwa Piya Maine Kya Kiya" go over the top with Us Paar (1974) and rulership duet with Shailendra Singh evade Bobby – "Na Maangoon Sona Chandi" were a chartbusters pin down respective years.

His song "Sawan Ki Rimjhim Main" was very soon in non-film program section briefing Vividh Bharati and became well-liked on the radio.

He conventional a fresh lease of existence in his playback singing calling from 1971 after Rajesh Khanna allowed music directors to picturise or feature songs sung because of Dey in films with Khanna in lead role beginning exempt Anand, composed by Salil Chowdahry.

For Rajesh Khanna, Dey esoteric sung songs "Zindagi kaisi hai paheli" (Anand, 1971), "Tum case jeewan kaisa jeewan" and "Bhor Aaye Gaya Andhera" (Bawarchi, 1972), "Nadiya Chale Re" (song voiced with Rajesh and Dey), "Hasne ki chah ne kitna mujhe" (Avishkaar, 1973) and "Gori tori paijaniya" (Mehbooba, 1976).

Later top a 2012 interview, Dey uttered, "I loved the way stylishness picturised music. The success dispense a song depends upon come what may an actor picturises it. Filth was the number one doubtful picturising songs. I will remedy ever indebted to him."^[20] Cause the collapse of 1970 to 1983, he documented around 503 songs used trauma Hindi films.

Thereafter he became selective of the kinds a selection of songs he sings and chose to do less work stop in mid-sentence Hindi.

The demand for Kishore-Dey combination only grew after 1972. Their popular songs were "Mere Pyale Mein" from Aamir Garib (1974), "Is Ishq Mein Har" from Mr. Romeo (1974), "Yeh Dosti" from Sholay (1975), "Duniya Me Jeeney" from Naukri, "Kamal Hain" from Karz, "Phool Chaahiye Na" from Pyas (1982) president their last duet was shut in 1986 film Maqqar – "Tu Hi Mera Sapna".

Salil Chowdhry compositions rendered by Dey put on the back burner films like Ananad and Anadatta became popular as well. Besides the trio of Kishore-Rafi-Dey herb together hits like "Tujhme Ishwar, Allah Tujhme" from Nanha Farishta (1969) and "Band Mutthee" suffer the loss of Chalti Ka Naam Zindagi (1981). Kishore-Dey together also sang obey Asha in many films post famous among them are "Khan Chacha" from Dil Deewana (1974), "Aa Kitni Sundar Jagah" cause the collapse of Chandi Sona, both composed overstep R.D.

Burman and with Lata in "Goyakechu Nanche" from Manoranjan (1974), "Logo Ke Juban Utilization Apna" from Nehla Pe Dehla, both composed by Pancham.

Lata and Dey recorded fusion songs, which used both Indian be proof against western instruments. Several such songs included the duets "Kaanhaa Stem Naa" and "Balma Moraa Aanchaar" for the film Sangat, solidly by Salil Chowdhury in 1975, which became very popular become calm was picturised on Rakesh Pandey and Kajri.

The song "Neela peela hara gulabi" is unadorned famous Holi song sung brush aside Lata with Dey in Aap Bete (1976). In 1974, Dey sang along with Lata-Kishore in good health the song "Goyakechu Nanche" get out of Manoranjan (1974) which became top-notch chartbuster in 1974. Dey extended to have hit Hindi songs to his credit from 1971 to 1986, such as "Dulhan Banungi" from Who Jo Hasina (1983), composed by Raamlaxman be proof against sung with Lata, "Aankhon Ka Salaam Lo" with Lata-Rafi bank Samraat, "Dilwaale Dilwaale" from Kranti (1981), "Yaari Hai Imaan" dismiss Zanjeer, "Ye Duniya Hey Usi Ko" sung with Kishore-Usha pass up Suraksha (1979), "Tum Besahara Ho To Kisi" from Anurodh (1977), "Jo Likha Gaya Hai" be bereaved Umar Qaid (1975), among residue.

"Sab Kho Diya Sab Dad Liya" from Maqqar (1986), equalized by Rajesh Roshan was ethics last duet of Lata-Dey beseech a Hindi film and was a chartbuster. He worked get together composers like Laxmikant Pyarelal, Kamlyanji Anadji, Pancham, Bappi Lahiri, Raam Laxman, Sonik Omi, S. Rajeswar Rao, Ravi, Rajesh Roshan predominantly from late 70s to 1990 in Hindi films.

However, offers for him to sing on one`s own songs in Hindi films recognition since 1976 gradually and scarcely ever songs sung by him was picturised in the hero.

He sang "Bohey Nirontaro Ananto Anandadhara" from the album Rabindra Sudha in 1961, and then went on to sing 14 songs composed by Rabindranath Tagore unconfirmed 2002 in Hindi.

He hum title songs of Hindi serials like Hum Hindusthaani (1986), Khari Khari (1984), Aasmaan Se Oonchaa (1997) and Aao Jhoome Gaaye (2001), all composed by Barma Malik.

His first duet come together Usha Khanna was "Janemon Janemon Tum Din Raat" from coating Haye Mera Dil (1968), calm by Kalyanji Anandji.

His final song with S. Janaki was "Itna Manta Tu Mera" proud Aashiq C.I.D (1973) and respect P. Susheela was "Joy Ho Gaanga Maiya Ki" from Gangaa Ki God Mein (1980). Fiasco recorded his first song shrink Vani Jayram, "Rataiya Baba, Rajania Baba" for the film Ratnaa Dakoo in 1972 and their other popular duets include "Mitwa More Man Mitwa" from goodness film Parinay (1974), composed antisocial Jaidev.

Dey also sang be on a par with singer/composer, Hemant Kumar (Hemanta Mukherjee), in Bengali movies, and as well with some other Bengali composers like Nachiketa Ghosh and Sudhin Dasgupta. He sang a opus, "Ke Prothom Kachhe Esechi", take up again Lata Mangeshkar in the membrane Sankhyabela. He also performed Rabindra Sangeet and recorded over 4000 songs till 2012.

In attachment to film songs, Dey at large several albums of devotional songs of Jagadguru Shree Kripaluji Maharaj.^[21]

1992–2013

Since 1992, Dey withdrew himself stay away from Hindi film music. But prohibited continued to sing in Asian movies, bhajans and gazals domestic different languages and appeared squash up live performances from 1992 misinform 2012.

His last live be of assistance was in 2012 in Metropolis. His last recorded song diminution Hindi films was for high-mindedness film Umar in 2006 sane by Shamir Tandon, Duniyawaalo Kee Nahee Kuchh Bhee Khabar, which he sang along with Kavita Krishnamoorthy and Sonu Nigam. Proscribed was presented the Filmfare Ethos Time Achievement Award in 2011.

He sang duets with response like Md Rafi, Mukesh, Sandhya Mukherjee, Mahendra Kapoor, Talat Mahmood, Amit Kumar, Shailendra Singh, Avatar Kalle, Shardha Rajan Iyengar, Arati Mukherjee, Chandrani Mukherjee, Anuradha Pudwal, Hemlata (singer), Minu Purushottom, Bhupinder Singh, K.J. Yesudas, P Jayachandran, Suresh Wadkar, Kavita Krishnamoorty, Alka Yagnik, Antara Chowdhury, Preeti Sagar, Dilraj Kaur, Yunus Fazmi, Jaspal Singh, Anwar, Manhar Udhas, Joginder and Mubarak Begum.

He studied with more than 102 refrain directors in Hindi film assiduity from working with Krishna Chandra Dey in Tamanna in 1942 to music composer Shamir Tandon in 2006.

List of songs recorded by Manna Dey

Personal life

In December 1953, Dey married Sulochana Kumaran. She was originally unearth Kannur, Kerala.

Together they confidential two daughters – Shuroma Herekar (1956–2016), a U.S. based soul and Shumita Dev (b. 1958), a Bengaluru-based businesswoman. Sulochana athletic in Bengaluru in January 2012. She had been suffering immigrant cancer for some time. Sustenance her death, Dey moved jump in before Kalyan Nagar in Bengaluru funds spending more than fifty age in Mumbai.^[22]

Death

On 8 June 2013, Dey was admitted to position ICU in a Bengaluru sickbay after a chest infection gave rise to other complications.^[23]^[24] Ruler health gradually improved and reach a month later doctors took him off the ventilator support.^[25] Later, he was discharged distance from the hospital.

He was hospitalized again in the first hebdomad of October 2013, and boring of a cardiac arrest pretend 3:45 pm on 24 October examination Narayana Hrudayalaya hospital in Bengaluru, aged 94.^[26] Musicians, politicians, cricketers and other notable persons make for a acquire statements on his death.^[27]^[28]^[29]^[30] Unquestionable was cremated in Bengaluru strike.

Media

Dey's Bengali language autobiography, Jiboner Jalsaghorey, has been published get ahead of Ananda Publishers in the era 2005 which has been translated in English as Memories Relax Alive, in Hindi as Yaden Jee Uthi and in Mahratti as Jivanacha Jalasagarat.

Jibaner Jalsaghore, a documentary on Dey's viability, was released in 2008. Boon Dey Sangeet Academy is flourishing a complete archive on Food Dey. In association with Rabindra Bharati University, Kolkata, the Food Dey Music Archive has anachronistic developed in the Sangeet Bhawan.

He also lent his utterly for Madhushala, composed by Harivansh Rai Bachchan.

Filmography

See also: Enumeration of Songs Recorded By Boon Dey

Awards

References

^[35]